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茶碗;一声 (Lecanora Color series Tea Bowl, "issei")
茶碗;一声 (Lecanora Color series Tea Bowl, "issei")

茶碗;一声 (Lecanora Color series Tea Bowl, "issei")

奈良県東部で採取された陶土に木灰を主とした釉薬をかけ、Soda Firingという技術で焼成しています。天然の材料と雰囲気焼成により、生態系の一部をいただいてきたかのような深みとゆらぎのある色、変化する質感を引き出しました。一つ一つの器がこの世でたった一つの器となります。 材質:陶土・木灰 ・長石・ソーダ灰 桐箱のご用意できます。ご相談ください。
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OkuyamaHouse
OkuyamaHouse
13品
個数1~3
日本
¥1,000
海外配送
¥3,500

個数4~10
日本
¥1,000
海外配送
¥4,500

4~7営業日で出荷
¥30,000(税込)
ポイント還元
300 SeC
あとで買う

Transparency Points

透明性項目

品物のハイライト

この品物の注目して欲しいポイント

文化伝統
匠の技
手作り
限られた品物
限られた資源

作り手

品物の生産に関わった作り手の顔とコメント

Francis Bliven
I want my pots to enhance the small rituals that people already have in their lives, whether that is their practice of tea ceremony or just a simple cup of coffee. I want my work to have a depth that can be discovered over time. I hope that, even in just a small way, the artistic energy and passion
artist

生産地

品物が作られた場所

Okuyamato/ Mameo, Higashiyoshino, Nara, Japan

原材料

品物の素材や原料

自然素材の割合
100%

陶土

90%

木灰

5%

長石

4%

ソーダ灰

1%

リサイクル素材

リサイクル素材が使われている割合

9%
リサイクル活動の詳細

We love using found and no longer needed materials to incorporate into our product and studio.

SDGsへの貢献

この品物がどのSGDsに貢献しているか

SDGsに関する詳細レポート

It is my hope that bringing an artistic expression into functional pots can enrich people's lives in many crucial and helpful ways that will have a positive effect on society and the world.

コストの詳細

コストの内訳を開示

Most of the expenses is labor. All the profits from the sales of our pots goes to the development and running of our education center.

影響・効果

社会にどんな影響・効果があるのか

My focus in making and selling my work is on the emotional/energetic impact and the potential for this to bring a positive change to the people who are drawn to my work.

レア度

品物の希少性

この星で唯一
希少性の詳細・理由
Every pot we make is both made to be one-of-a-kind and is effected by the firing in a unique way.
OkuyamaHouse
OkuyamaHouse
品物一覧を見る
特定商取引法に基づく表記

Story

品物のストーリー

I think pottery has the chance for an intimate direct expression between the maker and the person using the pots. For me it feels natural and relieved the anxiety I felt about trying to make a similar connection with my drawings. Because of this I have a strong desire to express myself as an artist through pottery.

Learn Stories of Makers

It is my hope that bringing an artistic expression into functional pots can enrich people's lives in many crucial and helpful ways that will have a positive effect on society and the world.

As I worked to develop my pottery practice, I kept learning about Japanese traditional pottery. There is a depth and care not only for making pots but for using and appreciating them too. Moving to Japan has opened up new worlds and adventures in my learning that I didn’t even know existed before.

As I have studied Japanese pottery techniques and culture I have developed a connection with the early tea ceremony philosophies and the Momoyama Era aesthetics; the connection to nature and the quiet focused use of pots makes me feel supported and excited to make my art.

One of my main projects in Japan is to combine traditional Japanese pottery materials with the American style of Soda Firing. Soda Firing is a technique where you add soda ash solution to the hot kiln creating vapor that travels with the flames and paints the pots. It has similarities to the way a wood firing in a traditional Japanese kiln can paint the pots but with a unique look and feel. For me, mixing this western firing style and the ancient traditions of Japan creates a new energy and unique way of seeing both of the cultures and their traditions.